media > Zeit & Raum (Part 1)
 
media > Zeit & Raum (Part 2)
 
aleksander petlura, artistic intervention in the public space of lunz am see
aleksander petlura, artistic intervention in the public space of lunz am see
aleksander petlura, artistic intervention in the public space of lunz am see
aleksander petlura, artistic intervention in the public space of lunz am see
aleksander petlura, artistic intervention in the public space of lunz am see
aleksander petlura, artistic intervention in the public space of lunz am see
 

aleksander petlura


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artistic intervention in the public space of lunz am see



101 years after the publication of the Futurist Manifesto the aim was to have a look at the social changes of the 20th century that are tied to technological changes, and to develop a counter-model to the former fascination with acceleration and the power of machines. From the instruments to the decoration, everything was created on location applying Petlura's well-known mania for the re-use of found material. Daily performances by the group, who emerged and then disappeared during the course of the festival, announced the event, which was finally held on and in a car park that had remained a skeleton in the centre of town for years. In three acts, the audience was led via an organ concert in the church to the venue, which the Industrieorchester turned into a body of sound. Tableaux Vivants received the audience in the basement of the building, and moved into speech theatre that parodied the hysteria of the consumer society. Finally, with a dance performance that evoked cleaning rituals, the route led back outdoors — "back to nature".
(Cornelia Offergeld)
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