midi marsch musik, we all have mitives
 midi marsch musik, we all have mitives
 midi marsch musik, we all have mitives
 midi marsch musik, we all have mitives
 midi marsch musik, we all have mitives
 midi marsch musik, we all have mitives
 

midi marsch musik


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we all have mitives



Nine artists from Linz (students of experimental visual design at the Kunstuniversität Linz) and four artists from Vienna (Institute for Art and Design at Vienna University of Technology/architectecture department) developed site-specific works for the Unterstinkenbrunn cellars. After a number of visits of varying length concepts were drawn up for all of the works: they addressed the shift in image and economic situation — in Unterstinkenbrunn, which is known for its cellars, there has been a recent shift away from wine in favour of onions, which are far easier to cultivate and harvest — and took anecdotes and legends specific to the location as their point of departure, or the cellars' particular acoustic and spatial qualities.
The artists and groups of artists used both the vaulted cellaring as well the antechambers and other rooms (originally used for wine production but now used recreationally) as well as the conurbation itself as their point of departure in developing and locating multimedia installative works. The title Wir Haben Alle Ein Motiv (We All Have a Motive/Motif) plays on the (German) ambiguity of motive/motif, addressing the artists' motif but also people's motivation in participating in or visiting the event, the economic motives behind the change from wine-growing to onion-growing, as well as possible criminal motives in everyday and economic contexts that also occur in rural areas.

The Midi Marsch Musik played at the opening, a mobile band producing martial music on the keyboards of computers they brought along with them and playing it back via (battery powered) sound systems carried on their bodies.
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